Les deux ducs de Wyndham Tome 2 M Cavendish
Amelia Willoughby est promise depuis l’enfance à Thomas Cavendish, duc de Wyndham. Comme il tarde à faire sa demande, Amelia s’inquiète de son indifférence. Or, un coup de théâtre bouleverse la vie de Thomas : un cousin dont il ignorait l’existence vient de se manifester. Si sa filiation était prouvée, Thomas perdrait son titre de duc. Touchée par son désarroi, Amelia découvre un homme qui a perdu ses repères et sa morgue. Un homme dont elle tombe bientôt éperdument amoureuse. Mais saura-t-il surmonter sa sacro-sainte dignité pour laisser parler son cœur?
Mr Cavendish I Presume
Amelia Willoughby has been engaged to the Duke of Wyndham for as long as she can remember. Literally. A mere six months old when the contracts were signed, she has spent the rest of her life waiting. And waiting. And waiting . . . for Thomas Cavendish, the oh-so-lofty duke, to finally get around to marrying her. But as she watches him from afar, she has a sneaking suspicion that he never thinks about her at all . . . It's true. He doesn't. Thomas rather likes having a fiancée—all the better to keep the husband-hunters at bay—and he does intend to marry her . . . eventually. But just when he begins to realize that his bride might be something more than convenient, Thomas's world is rocked by the arrival of his long-lost cousin, who may or may not be the true Duke of Wyndham. And if Thomas is not the duke, then he's not engaged to Amelia. Which is the cruelest joke of all, because this arrogant and illustrious duke has made the mistake of falling in love . . . with his own fiancée!
Le quartet des Smythe Smith Tome 2 Sortil ge d une nuit d t
Contraint à l’exil après un scandale, Daniel Smythe-Smith rentre enfin en Angleterre, le jour même où a lieu le traditionnel concert familial, cette épouvantable cacophonie infligée chaque année aux oreilles délicates de la bonne société ! Parmi le quatuor de musiciennes, Daniel remarque une inconnue dont la beauté l’éblouit. Anne Wynter est la gouvernante de ses cousines et leur différence de classe lui interdit de lui faire la cour. Qu’importe, le jeune comte est prêt à défier les règles établies et à balayer tout ce qui les sépare !
The Paid Companion
The Earl of St. Merryn needs a woman. His intentions are purely practical - he simply wants someone sensible and suitably lovely to pose as his betrothed for a few weeks among polite society. He has his own agenda to pursue, and a false fiance will keep the husband-hunters at bay while he goes about his business. The simplest solution is to hire a paid companion. Finding the right candidate proves more of a challenge than he expected. But when he encounters Miss Elenora Lodge, her feisty manner and golden eyes sway him to make a generous offer. Elenora's sorry financial circumstances - and dreams of a life of independence - leave her little choice but to accept. But St. Merryn appears to be hiding a secret or two, and things seem oddly amiss in his gloomy London home. Elenora soon discovers that this lark will be a far more dangerous adventure than she'd been led to believe. And the Earl of St. Merryn will find that the meek and mild companion he'd initially envisioned has become a partner in his quest to catch a killer - and an outspoken belle of the ball who stirs a bothersome passion in his practical heart.
The Secrets of Sir Richard Kenworthy
Sir Richard Kenworthy has less than a month to find a bride. . . He knows he can't be too picky, but when he sees Iris Smythe-Smith hiding behind her cello at her family's infamous musicale, he thinks he might have struck gold. She's the type of girl you don't notice until the second-or third-look, but there's something about her, something simmering under the surface, and he knows she's the one. Iris Smythe-Smith is used to being underestimated. With her pale hair and quiet, sly wit she tends to blend into the background, and she likes it that way. So when Richard Kenworthy demands an introduction, she is suspicious. He flirts, he charms, he gives every impression of a man falling in love, but she can't quite believe it's all true. And when his proposal of marriage turns into a compromising position that forces the issue, she can't help thinking that he's hiding something...even as her heart tells her to say yes. This final installment of Julia Quinn's delightful Smythe-Smith quartet is witty, romantic and utterly addictive - guaranteed to make you smile, while tugging on your heartstrings
The Comedy Bible
Judy Carter, guru to aspiring comedy writers and stand-up comics, tells all about the biz of being funny and writing funny in this bright, entertaining, and totally practical guide on how to draw humor from your life and turn it into a career. Do you think you’re funny? Do you want to turn your sense of humor into a career? If the answer is yes, then Judy Carter’s The Comedy Bible is for you. The guru to aspiring stand-up comics provides the complete scoop on being—and writing—funny for money. If you’ve got a sense of humor, you can learn to make a career out of comedy, says Judy Carter. Whether it’s creating a killer stand-up act, writing a spec sitcom, or providing jokes for radio or one-liners for greeting cards, Carter provides step-by-step instructions in The Comedy Bible. She helps readers first determine which genre of comedy writing or performing suits them best and then directs them in developing, refining, and selling their work. Using the hands-on workbook format that was so effective in her bestselling first book, Stand-Up Comedy: The Book, Carter offers a series of day-by-day exercises that draw on her many years as a successful stand-up comic and the head of a nationally known comedy school. Also included are practical tips and advice from today’s top comedy professionals—from Bernie Brillstein to Christopher Titus to Richard Lewis. She presents the pros and cons of the various comedy fields—stand-up, script, speech and joke writing, one-person shows, humor essays—and shows how to tailor your material for each. She teaches how to find your “authentic” voice—the true source of comedy. And, perhaps most important, Carter explains how to take a finished product to the next level—making money—by pitching it to a buyer and negotiating a contract. Written in Carter’s unique, take-no-prisoners voice, The Comedy Bible is practical, inspirational, and funny.
Almanach de Gotha
A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Almanach de Gotha Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.